Charge of the Queens Bays against the Mutineers at Lucknow-1857

 

The Pipes Of Lucknow (colour litho)

 

EDITORS COMMENTS
This vibrant and captivating print showcases "The Pipes Of Lucknow" a stunning colour lithograph created by William Rainey in the early 20th century. The image depicts a historical scene from the Indian Mutiny, where the power of music transcends cultural boundaries. In this mesmerizing artwork, we witness a bagpiper clad in tartan attire standing amidst the chaos of battle. As he plays his instrument with great fervor, his melodic tunes cut through the air like a sharp blade, symbolized by the Goomtee River cleaving through the plain. This powerful visual representation is inspired by John Greenleaf Whittier's poem "The Pipes Of Lucknow". Through this evocative piece, Rainey beautifully captures both history and literature intertwined. The siege of Lucknow during the Indian Mutiny becomes alive as we delve into British imperial history and its impact on diverse cultures. "The Pipes Of Lucknow" not only celebrates musical instruments but also serves as an ode to human resilience and unity in times of adversity. It reminds us that art has no borders and can bridge gaps between nations. As you gaze upon this remarkable print, let yourself be transported to another era where poetry meets painting, history meets melody, and culture meets courage. Let it inspire you to appreciate both our shared heritage and our ability to find harmony amidst discord.
Rate this comment thumb_up

The 93rd Highlanders entering the breach at the storming of the Secundrabagh, Lucknow-1857

 

EDITORS COMMENTS
. In this photo print, we are transported back to a pivotal moment in history - the storming of the Secundrabagh during the Indian Mutiny. The image captures the sheer bravery and determination of the 93rd Highlanders as they fearlessly charge into battle. Led by their British officers, these valiant soldiers clash with mutineers in a fierce skirmish. Their military uniforms proudly display their allegiance to the British Raj and Empire. Armed with swords, rifles, and shields, they engage in a life-or-death struggle against their adversaries. The scene is filled with tension as both sides confront each other amidst gunfire and chaos. The Highlanders' disciplined formation contrasts sharply with the chaotic defense put up by those inside Secundrabagh. This historic siege of Lucknow symbolizes not only a battle for control but also represents an intense clash between two cultures. Norie's masterful watercolor technique brings this epic moment to life, capturing every detail from facial expressions to weaponry. The composition draws us into the heart of combat, immersing us in its intensity. This remarkable print serves as a powerful reminder of sacrifice and valor exhibited by these brave soldiers who fought tirelessly for their cause. It stands as a testament to human resilience even amidst adversity – an enduring symbol of heroism that will forever be etched in history's annals.
Rate this comment thumb_up thumb_down

John Wood Approaching Bombay, c1850. Artist: Joseph Heard

 

EDITORS COMMENTS
is a captivating print that captures the essence of an era when the East India Company held sway over India. Painted by Joseph Heard, this artwork showcases the bustling shipping industry and the significant role played by maritime trade during the 19th century. The painting depicts a majestic ship sailing towards Bombay (now Mumbai), Maharashtra, against a backdrop of serene waters. The artist skillfully portrays the grandeur of this historical moment, highlighting both the beauty of nature and man's triumph in conquering vast distances through water transport. During this time, colonialism was at its peak as European powers sought to establish dominance over various parts of Asia. The East India Company emerged as a key player in this race for control, challenging Dutch and Portuguese influence in trading spices from the Far East. However, it faced setbacks after its administrative functions were stripped away following its involvement in the Indian Mutiny. Heard's artwork not only captures an important historical event but also serves as a reminder of how trade and transportation have shaped nations throughout history. Through vibrant colors and meticulous attention to detail, he brings to life an era defined by exploration and expansion. This print from Heritage Images offers viewers a glimpse into John Wood's arrival in Bombay during a transformative period marked by colonialism and maritime trade.
Rate this comment thumb_up thumb_down

India / Sikh War / Multan

 

EDITORS COMMENTS
This evocative print captures the intense moment of the Storming of the Fort at Mooltan (Multan) during the Sikh War of 1848-49. The British East India Company's Bombay European Fusiliers, led by their brave commanding officer, charge towards the Khoonee Boorj, a formidable fortification guarded by the Sikh forces. The determination and courage of the European soldiers are palpable as they advance, weapons at the ready, towards the imposing walls of the fort. The Battle of Mooltan, fought on February 17, 1849, was a significant turning point in the Sikh Wars, a series of conflicts between the Sikh Empire and the British East India Company. The Sikh forces, led by Maharaja Duleep Singh, were no match for the well-equipped and well-trained European soldiers. The storming of the Khoonee Boorj marked the end of Sikh resistance in the region, paving the way for British dominance in the Punjab. The print, produced in the late 19th century, offers a fascinating glimpse into the past, providing valuable insights into the military tactics and strategies employed during the colonial era. The intricate details of the soldiers' uniforms, the fortifications, and the chaotic scene of battle add to the authenticity and historical significance of the image. This print is a poignant reminder of the rich and complex history of India and the impact of colonialism on its people and culture. It serves as a testament to the bravery and resilience of the soldiers on both sides of the conflict and the enduring legacy of the Sikh Wars in shaping the political landscape of the subcontinent.
Rate this comment thumb_up thumb_down

Painting of Fort St George British Era Madras 1851.

 

News of The Siege Of Nandi Durg Fort By Cornwallis, 1792 Newspaper

 

The Siege of Pondicherry By The British, 1760 Newspaper

 

The Siege of Pondicherry By The British, 1760 Newspaper

This rare Edinburgh-based 1760 newspaper gives an account of the siege of Pondicherry by the British. Extracts from the newspaper “Major Monson, in conjunction with Admiral Cornish, was besieging Karrical (Karaikal), the only surviving settlement the enemy (French) had on the east coast of Coromandel, except Pondicherry, and it is the key to the district of Trichenopoly (Tiruchirapalli).

General Lally (French) used to boast, that he would take Fort St David for breakfast, Madras for dinner, and Bengal for supper. How well he has kept his promise, we need not explain. The Malabar Coast having been less the scene of war because less consequence than the Coromandel side. There still remains, belonging to the French, the little settlements about Mount Dilla, and that of Matri, near Tellicherry…”

The report mentions the French were in a pitiable condition short of money and morale. After a series of military successes, Eyre Coote moved to blockade Pondicherry with reinforcements from Britain. Major George Monson was promoted colonel and took over command. He mounted an assault on the redoubts in the boundary hedge which formed the outer defence of the city. This was successful though Monson was wounded and had to relinquish command to Coote who completed the capture of Pondicherry.

There are some more interesting news on India. The Moghul Emperor secretly solicited the Pathans to present themselves before the capital of Delhi. Which resented the Vizier. The report on the assassination of the Moghul Emperor Shah Jahan III who was succeeded by Aurangzeb’s grandson. Some more news on the siege of Pondicherry and the distress of the French. The East India Company establishing a settlement in Sindh near the River Indus.

Did you know – the French ordered its Inhabitants to donate a part of their belongings even the buckle of their shoelaces to improve the state’s financial position. 

Past posts – 1964 M. Suriyamoorthy Charcoal Art Abstract (#17)., View of The Sea From Mahalaxmi Bombay, 1880 Photo., Sree Padmanabhaswamy Temple Trivandrum – Old Postcard., Old Newspapers 1866, The Illustrated London News.